Why 'Ambulance' is the Best Blockbuster to See this Year
Starring Jake Gyllenhall and Yahya Abdul-Mateen II, 'Ambulance' is a film not only about a bank heist gone wrong, but also about brotherhood.

"The image is universal; the country of origin is Israel, confirming that its young are not different from others elsewhere. The atmosphere is cool, modern, Western; the decor utilitarian, the style avant-garde. Nothing detracts from the soft abandon of the scene. This film is banned in Israel. And who said that Israel cannot make sex films? Yet the contrasting myths of Israel as an idealistic society given to righteous self-improvement or a militarist-orthodox state bent on self-aggrandizement are so strong that this work comes as a surprise. Its manifold copulations, sophisticated stance, avant-garde modernity, and political thrusts stamp it as the testimony of a new generation. One sequence: "A vision of the Virgin Mary waiting for the Holy Ghost to do his thing, as Avidan's voice sings a tearful Yiddish refrain and Joseph the Carpenter bangs on the door, before going to take his vengeance by building a cross."" — Amos Vogel
Starring Jake Gyllenhall and Yahya Abdul-Mateen II, 'Ambulance' is a film not only about a bank heist gone wrong, but also about brotherhood.
A Girl Walks Home Alone At Night, though its feminism may be unintentional, cannot exist without its focus on women reclaiming power. The movie is feminist by definition, even if Amirpour didn’t write it with that in mind. A Girl Walks Home Alone At Night is mesmerizing, poetic, and stunning, both for its portrayal of feminist ideas and its powerful story that is both horrific and subtly romantic at once.
It’s passionately protective of the women mentioned in the story or appearing on screen. Just like the article and the #MeToo movement, the film could help a trapped person find the courage to fight back.
The more we learned with each passing minute the bigger the reveal. This film ends with a serious bang and it was truly a joy to watch.
The human experience is described through the eyes of a marginalized outsider, neither judgmental nor invested, just an observant donkey.