“Buddy” and Analogue Horror
Upon first watch, Buddy feels like it should have been aired on Adult Swim at four in the morning.

Prokopiy, a 27-year-old boy with developmental disabilities, lives with his strict mother, Maria, who keeps him locked away for his own "safety." Life goes on as usual in a remote Yakut village until Prokopiy's cheerful sister, Aiyyna, arrives next door. She gives him warmth, attention, and a sense of "normality," and a simple, pure friendship blossoms between them, which becomes a revelation for the boy. Aiyyna leads him out of his locked room, takes him on a sleigh ride to a party, and for the first time makes him feel part of the outside world. But the closer Prokopiy gets to freedom, the more conflicts he has with his mother, who fears losing control and may not be able to protect her son from the pain society can inflict on him. A touching, harsh, and poetic coming-of-age story about a man who emerges from the safety of a locked world to an ambiguous freedom.
Upon first watch, Buddy feels like it should have been aired on Adult Swim at four in the morning.
Strangers in a crowd, exchanging glances, looking away, continually managing to run into each other then part ways, end up at the same diner, find they've rented the exact same vehicles, and are then made to travel together to learn once more whether they can both find genuine adoration and companionship again. This really does, in so many words, sum up the foundational gist of of this new feature film from writer Seth Reiss ("The Menu") and director Kogonada ("The Acolyte", "After Yang"). Yet, it's all only the set-up for the REAL wonder of everything that happens before, during, and in the aftermath of a magical, meaningful journey.
In a world where we hear ringers and beepers at every corner, technology feels inescapable. This is why technology is often an enemy in Digital J-horrors, like One Missed Call.
A legacy based on the comic strip for old and new fans of Peanuts.
In Saudi Arabia, a little girl (Wadjda) is told she can't have a bike because she's a girl. Wadjda struggles to obtain a bicycle to race her friend, Abdullah, due to the gender inequality and cultural norms of Saudi Arabia.
The Flounders are back in this sequel that takes place one year after the events of 'Malibu Rescue'.