
Allora is a 30 year old successful Public Relations Agent who is increasingly becoming disenfranchised with her fledgling love-life. Encouraged by her very liberated friends Roxanna and Justin, she contemplates looking for love online. Sparks fly and the adventure begins as she embarks on a series of speed dates that lead her to very peculiar encounters.
This is ambitious horror filmmaking, and in a lot of ways, I fully admire its ambitions. For me, the film’s sloppiness defines its overall quality.
It's chock full of dream-come-true moments for Spidey fans, but its lack of substance reeks of a self-indulgence that is rare even in fan fiction
This is a list of seven films that explore police brutality and systemic racism made by Black filmmakers. These are important movies to watch and to take in, as — through the power of cinema — they showcase what it feels like to be a Black person living in a country that is internally designed to be against you.
Everything Everywhere All at Once is exactly as the title describes, yet unexpectedly so. It's like the Matrix, but with OCD and hallucinogens, plus a heart’s dose of mother-daughter intergenerational intercultural growing pains. Review and cast.
It took writers D.B Weiss and David Benioff two years to give us a promising final season. Two. Years. It was just going to be six episodes, which was short considering that all the other seasons — except season 7 — were 10 episodes. 10. 6 wasn’t enough, and even HBO wanted to give the writers more episodes. More seasons, even. However, the writers wanted to get out of the show as quickly as possible to work on other projects. This abruptness is clearly shown in this season.