Master: The Horror of Deceptive Racial Politics in Academia
“It's not ghosts. It's not supernatural. It's... It's America. And it's everywhere.”

The singer-songwriter Lucio Dalla seen through the eyes of the person closest to him in the last twenty years: Marco Alemanno. The tale of how they met and how he grew on a human, professional, and artistic level standing by Dalla’s side. And much more: daily and deeper aspects of his life, his love for Southern Italy, his passion for cinema, his relationship with music, his bulimic curiosity of launching himself into new artistic adventures, his mercurial energy and his boundless sense of humor.
“It's not ghosts. It's not supernatural. It's... It's America. And it's everywhere.”
These confines won’t really encourage you to read the film as a metaphor for the nerve-inducing experience we’ve all been through over the last year, however — and in the interest of maintaining your dignity, you probably shouldn’t. While the sociopolitical commentary may have worked for the similarly-themed Buried (2010), in which we find Ryan Reynolds on his own buried alive in the Middle East, but this futuristic take on the premise is best left as a piece of distracting entertainment. Nevertheless, the atmosphere is no less suffocating, literally and dramatically.
The Batman (2022): Every Fan's Fantasy But Not A Masterpiece, As a superhero nerd and a childhood fan of Batman, the film is like a dream come true. Check out movie review, summary & movieplot
The quiet ache of guilt sitting at the dinner table, the silence after a truth is buried, and the way pain is passed down like a name.
In Spike Lee’s She’s Gotta Have It (1986), we follow the love life of powerful female protagonist Nola Darling (Tracy Camilla Johns) and explore the relationship dynamics she has with her partners. She sees three men simultaneously: Greer Childs, (John Canada Terrell) Mars Blackmon (Spike Lee), and Jamie Overstreet (Tommy Redmond Hicks). Though an 80’s film, She’s Gotta Have It is surprisingly progressive with its themes of female sexuality, although at some points in the film it is handled clumsily. Overall Nola is an incredibly compelling character especially for modern women, as we as a society acknowledge female sensuality more and more without the negative stigma.
'Sex Education' is one of the most diverse shows I've ever seen! From sexuality to gender identity to race, this show features so many minorities and so many different kinds of relationships!