'Pain Hustlers' (2023): An Opioid Crisis
What starts off as a success story for a single mother living below the poverty line, slowly begins to weave itself into a tangled web of greed, guilt, and destruction.

See You at the Pictures is a feature length documentary which looks at movie-going in Ireland throughout the decades. Exploiting a treasure chest of hitherto undocumented or privately documented stories and adventures that have been stored inside heads or scribbled in yellowing notebooks and diaries across the country, the film examines specific periods of Irish history as related, through the prism of cinema, by ordinary and less ordinary people who lived and are living through them. Their testimony guides us through the years, providing insight, historical knowledge, funny anecdotes, local colour, and other comic or perhaps even tragic stories. Out of this emerges a truly nationally-shared experience of cinema-going as important to our common heritage as any of the other components of our culture.
What starts off as a success story for a single mother living below the poverty line, slowly begins to weave itself into a tangled web of greed, guilt, and destruction.
Udo Kier takes center spotlight in 'Swan Song' as Pat Pitsenbarger, a gay beautician who comes out of retirement for one last job and rediscovers himself along the way.
At first glance, one wouldn't think John Carpenter's cult classic would be a thematic double-billing - or that Free Guy would be worthy of being mentioned in the same sentence as They Live - but the two films of vastly different genres have more similarities upon further examination.
The highly anticipated Marvel superhero movie of the year displays important themes of loss, loneliness, and change.
Despite everything it was capable of, all of these poor choices strung together amount to nothing more than a counter-productive film.
Amanda Riley gets the opportunity to travel to Vietnam for the experience of a lifetime.