The Blues, and Two Contradictory Films That Claim It
Crossroads follows a young guitarist on a journey through the American South in search of blues history and his own voice.

A teenager arrives from Germany to his grandparents in Novi Sad. He can't adjust to Yugoslavian schools, system or slow way of life, so he asks his folks to go back, but his parents insist on him staying. What now?
Crossroads follows a young guitarist on a journey through the American South in search of blues history and his own voice.
In all honesty, “Black and Blue” is a satisfying experience, complete with solid craftsmanship. With the help of cinematographer Dante Spinotti, Deon Taylor (the director) creates a murky, lived in atmosphere.
As a musical fan, I enjoyed the film and encourage anyone who likes dark humour and a bit of blood to give it a watch.
'The Fablemans' is Spielberg's most personal work to date, the cast delights audiences at the TIFF premiere.
The more biting satire is reserved for those on top of the power structure, such as the police, while those occupying lower levels are given more nuance and likability, even if they operate on the wrong side of the law. This principle gives Deep Cover its heart.
Its predictability shouldn’t distract from the enjoyment that the pure cinematic imagination behind the camera elicits. It is a movie of crises both moral and mortal, oozing with CGI, and thoroughly enjoyable.