10 Black Supporting Characters Who Need a Spinoff
A world of expansion awaits.

The one thing stopping Billingsgate Fish Market from being redeveloped is a seal called Sammy, who has been visiting for breakfast for 20 years. But now, he's gone missing. A film crew go down the River Thames at night looking for him. On the way meeting mudlarkers, river police and animal psychics. A playful and comic documentary about a changing city.
A world of expansion awaits.
An indie production of a romantic drama with a country-western feel meant to explore lost love.
The history of Hollywood is as ugly as it is beautiful. Most notably absent from Hollywood history are Black-produced films. “They’ve Gotta Have Us” explores the rise of Black cinema.
Him is visually stunning—all concrete cathedrals and bone-rattling impact shots that look like a nightmare highlight reel. Marlon Wayans is magnetic as this legendary quarterback who's basically selling salvation with a smile that never quite reaches his eyes. But the story keeps running in circles: more tests, more cryptic pep talks, more ritualistic drills. The sports-as-religion metaphor beats you over the head when subtlety would've been more effective. The middle drags, and that finale chooses spectacle over substance. It's undeniably stylish, but left me cold. Also worth noting: despite the Monkeypaw connection, this isn't actually a Jordan Peele film—he didn't write or direct.
The repeated actions, the blood on the petals, the rustling under the floor…An ambient short horror film takes us into another realm.
As many of us know, Marvel Studios has taken an interest in women-led superhero films, but some of us are oblivious to the women behind the camera and pen.