The Relentless Victimization of Marilyn Monroe in "Blonde"
'Blonde' commits a relentless assault on the autonomy of Marilyn Monroe, reducing the icon to nothing more than a victim of the director's whims.

Niedernussdorf is a small, tranquil village in Lower Bavaria, not far from Straubing. There has never been a murder here, not as long as the people of Niedernussdorf and their police chief Gisela Wegmeyer can remember. Suddenly, a severed male finger appears in the middle of the idyll. Florian Lederer, an ambitious young chief inspector from the Straubing police department, arrives on the scene. Lederer proves that the finger, which was carried through the village by a rough-haired dachshund, was originally bitten off by a pig. He assumes that an old man in Niedernussdorf was fed to pigs. Lederer is determined to solve the murder, while Gisela firmly believes it was an accident...
'Blonde' commits a relentless assault on the autonomy of Marilyn Monroe, reducing the icon to nothing more than a victim of the director's whims.
Between its problematic nature, its lack of originality, and the senselessness of its violence, Onslaught cannot be recommended in good faith.
It’s been five months since Wayward premiered on Netflix and it still has some of us in a choke-hold.
I can say without question, that this is the first movie I’ve ever seen where art imitates life so much that I could 100% identify with it on a personal level. The predominately Black cast of characters are people with hopes, dreams, fears, and ambitions.
Clearly, in the end, Allison raised a responsible child because she knew that her "friend" was doing something that made her uncomfortable and turned away from her. No worries, Super mom was already one step ahead of her.
It’s fun, it’s energetic, but it’s also understated and vicarial. Zola is a modern black fairytale and future of black movies.