Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

Sarah's Child poster

Sarah's Child (1994)

Sarah LaMere had loved Michael Rome Matthews for a long time. She witnessed him marry her best friend, only to lose her along with two sons in an accident. Now that they are together at last she is devastated to learn that she can never have children. While Rome tries to accept this, Sarah believes motherhood is her only path to happiness and security with the man she loves and she becomes increasingly unbalanced. Seemingly out of nowhere children's clothes and toys appear in the house and then a strange young girl named Melissa appears, whom Sarah treats as her own child. When their landlady is horribly murdered after questioning Melissa, Rome fears the line separating reality and fantasy has been crossed.
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


Sarah LaMere had loved Michael Rome Matthews for a long time. She witnessed him marry her best friend, only to lose her along with two sons in an accident. Now that they are together at last she is devastated to learn that she can never have children. While Rome tries to accept this, Sarah believes motherhood is her only path to happiness and security with the man she loves and she becomes increasingly unbalanced. Seemingly out of nowhere children's clothes and toys appear in the house and then a strange young girl named Melissa appears, whom Sarah treats as her own child. When their landlady is horribly murdered after questioning Melissa, Rome fears the line separating reality and fantasy has been crossed.

Rating:
Genre:Thriller
Directed By:Ron Beckstrom
Written By:Muffy Mead Thomas
In Theaters:1/1/1994
Box Office:

Runtime:80 minutes
Studio:

Articles You May Like


Mississippi Masala: A Romance that Interrogates Racism from Within and Without

Some people’s first introduction to Mira Nair might be as New York mayor Zohran Mamdani’s mom. But with her insightful direction of 1991’s Mississippi Masala, Nair shows how much she deserves to be known as an artist. Delivering a nuanced portrait of a romance between a Black man and an Indian woman living in the South, Nair explores the complications each character faces, giving both equal weight.

Andrea Kreidler