‘Midnight at the Paradise’ is a Love Letter to Film, Music, and the City of Toronto
'Midnight at the Paradise' premieres tomorrow at Toronto's Paradise Theatre! I had the pleasure to sit down with Vanessa Matsui to discuss the making of this film.
Santa de Casa
Based on a short story by Aldir Blanc. After a difficult pregnancy, Oséias makes a promise to put her daughter to parade for three years in a carnival block dressed as a saint. Soon the girl gains a reputation as a miracle worker.
- / 5
PopScore
Representation
Pictures and Videos
Movie Information
Based on a short story by Aldir Blanc. After a difficult pregnancy, Oséias makes a promise to put her daughter to parade for three years in a carnival block dressed as a saint. Soon the girl gains a reputation as a miracle worker.
Rating:
Genre:Animation
Written By:Aldir Blanc
In Theaters:
Box Office:
Runtime:17 minutes
Studio:Toscographics
Cast
Articles You May Like
Urchin (2025) and the Pitfalls of Addiction
I came across Urchin by chance and decided to watch it because of the title. It made me think of the spiky animal that lives at the bottom of the ocean, and the old Dickensian novels, where an urchin was an orphaned, homeless child in shaggy and dirty clothes.
Love, Regret, and Art: Pandemic Lessons from Station Eleven and The Real World
The three themes of lessons learned from HBO Max's Station Eleven are the same as the pandemic: love, regret, and art.
Fast & Furious: Hobbs and Shaw Review
Eventually, “Hobbs and Shaw” introduces us to a Samoan community. Clearly, Johnson’s Samoan roots are on display. Quite frankly, I found this section of the film very intriguing. The “Fast and Furious” franchise has a solid track record in the diversity department
Review: 'Dashing in December' Exceeds Admittedly Low Expectations
Dashing in December follows the tried and true outline of a traditional holiday romance, with a less traditional middle-aged gay couple as the film's romantic focus.
'Lady Chatterley’s Lover' is Inclusive of all Gender Perspectives
The French-born director Laure de Clermont-Tonnerre’s strategic choice to entrust the interpretation of a conventional, feminine character to a non-binary actor pays off: Corrin’s Lady Chatterley is awkward, edgy, and uninhibited at the same time.