In 11th-century feudal Japan, following the exile of an idealistic governor, his wife and children are separated by slave traders; the children, Zushio and Anju, are sold into brutal servitude under the cruel bailiff Sansho.
Kenji Mizoguchi
Director
Kenji Mizoguchi
Director
Kinuyo Tanaka
Tamaki
Yoshiaki Hanayagi
Zushiô
Kyōko Kagawa
Anju
Eitarō Shindō
Sanshô dayû
Ichirō Sugai
Minister of Justice
Bontarō Miake
Kichiji
Yōko Kozono
Kohagi
Chieko Naniwa
Ubatake
Kikue Mōri
Priestess
Ken Mitsuda
Prime Minister Fujiwara
Masao Shimizu
Masauji Taira
It’s not often in America that you turn on the TV and see a show or a movie with a Muslim protagonist. And when they do, they're usually a negative stereotype. Ms. Marvel changes all of that.
Darren Arronofsky focuses on diverse and heartbreaking stories about the human experience.
I understood post-memory as passing down stories and images of one’s experiences that are not your own. For decades, rape has been depicted in cinema through a third-person perspective, leaving the viewer to observe rape; not to experience it.