Ossi Viola and Lo Selbo have bet it all on one card: as ITACA they make Italo pop music for the 21st century. Their big dream: performing at the music festival in San Remo. An Italian tour could bring them to the next level. The days go by acrimoniously in rundown roadhouses; at night the duo plays dives along the Italian rustbelt. Not quite their image of bella Italia. Suddenly, this gamble seems completely insane. A 9 to 5 life would be so much easier. The crisis culminates when an unwelcome hitchhiker stumbles into their universe. As the dream threatens to shatter, the adventure begins.
The Mandolorian has a more nuanced and commentative take on masculinity that refrains from praising the toxic traits associated with the social category, while also showing a more positive and transformative representation of masculine characters.
The plot could’ve really been interesting if the elements of lycanthropy was integrated with perhaps the struggle of identity of being LGBTQ+. It's an experience for so many that as they’re starting to realizing their true selves, they feel like a monster, especially if they come from unsupportive homes or communities. Instead, the horror and transformation elements seem thrown in without contemplation of how this could deepen the narrative.
The relationship between Will and Sean is the best part of the movie. It’s always a delight to see Robin Williams on screen
The Noel Diary is about a man who unlocks an old diary containing secrets of the past.
We have a long way to go with LGBT representation in film, especially when it comes to LGBT characters of color and trans characters.
The Last Son of Krypton returns as the kind-hearted, blue-eyed boy scout we all know and love.
