The mother of a feudal lord's only heir is kidnapped by the lord. Her husband and his samurai father must decide whether to accept the unjust decision, or risk death to rescue her.
Masaki Kobayashi
Director
Toshirō Mifune
Isaburo Sasahara
Yōko Tsukasa
Ichi Sasahara
Gō Katō
Yogoro Sasahara
Tatsuyoshi Ehara
Bunzo Sasahara
Etsuko Ichihara
Kiku
Isao Yamagata
Shobei Tsuchiya
Tatsuya Nakadai
Tatewaki Asano
Shigeru Kōyama
Geki Takahashi
Michiko Otsuka
Suga Sasahara
Tatsuo Matsumura
Lord Masakata Matsudaira
Masao Mishima
Sanzaemon Yanase
I first saw Dear Evan Hansen on the Broadway stage. Apparently, I was so blown away by the magic of theater that I didn’t pick up on the questionable dynamics. The story's clumsy handling in the movie brought those issues to light.
Few movies deal with aging (particularly aging women) with as much compassion as Relic does. Yet it’s not sickly sweet and not a soapbox rant against ageism. Relic simply is, allowing the horror to seep in quietly and carefully.
It’s dark, uncomfortable, and there are things that don’t make sense.
Documented human suffering is never easy to view or read about and is understandably triggering for many people, but it can be educational, and education is a key to change. An overwhelming amount queer people worldwide (and in my own country) have it far worse than I could imagine, and documentaries such as Welcome to Chechnya bring issues to light that certain groups of people would never see.
As Andrew’s life begins to change, his passion for drumming soon becomes a spiraling obsession in the pursuit of perfection. Through the use of disturbing and abusive training methods, Fletcher puts Andrew through emotional and physical agony.