"In the Heights" Review
Lin-Manuel Miranda's Tony-winning musical translates beautifully to the screen.

Salawati is the story of 12-year-old Singaporean-Malay girl, Wati who has just witnessed the death of her older brother. Her life intersects with a group of Indian couriers and a troubled Chinese family, all of whom seem to have played some role the boy’s death. Wati’s mother tries to hold the family together, while her father struggles to control his misdirected anger.
Lin-Manuel Miranda's Tony-winning musical translates beautifully to the screen.
From its visually stunning opening credits, which show women dancing through a forest to musical rhythms that sound almost primal, to its quiet, heartbreaking final frame, Mona Fastvold’s historical rendering of the Shaker religious movement is an experience that will stay with me for a long time.
This is a movie that combines a ghost story, revenge tale, and serial killer obsession into a cinematic experience that uses your fears against you.
“Reboot” is crass and sometimes incoherent, and has much room to improve, but with investments of time and care, could flower out of the seed of a vision.
In Spike Lee’s She’s Gotta Have It (1986), we follow the love life of powerful female protagonist Nola Darling (Tracy Camilla Johns) and explore the relationship dynamics she has with her partners. She sees three men simultaneously: Greer Childs, (John Canada Terrell) Mars Blackmon (Spike Lee), and Jamie Overstreet (Tommy Redmond Hicks). Though an 80’s film, She’s Gotta Have It is surprisingly progressive with its themes of female sexuality, although at some points in the film it is handled clumsily. Overall Nola is an incredibly compelling character especially for modern women, as we as a society acknowledge female sensuality more and more without the negative stigma.
If your upbringing was anything like mine, where the TV acted as an additional parent- there are so many new stories and perspectives to explore.