The precarious representations in One Battle After Another
A bumpy journey about revolution and family makes us feel fear, disgust, humor, and satisfaction.

France, 1950s. From the Quartier Latin to Saint-Tropez via New York, a young Parisienne becomes the icon of a whole generation. In 1954, 19-year-old Francoise Sagan shot to fame with her first novel, Bonjour Tristesse. Flamboyant, scandalous and underrated, Sagan lived her life at the furthest edge of excess. She won and lost fortunes at the roulette table, bought and crashed superb sports cars, drank, danced and partied, leaving a trail of lovers in her wake.
A bumpy journey about revolution and family makes us feel fear, disgust, humor, and satisfaction.
The second season arrives over three years after its first. While late on arrival, most audience members will be happy.
The legacy of this movie starts off the film series with a bang of magic, plot twists, and battles.
Deborah (Jean Smart) and Ava (Hannah Einbinder) are a delight to watch evolve, sometimes devolve, then evolve again.
Produced by Vanguard Animation and released on Netflix, this animated fairytale movie has a lot of ironies as the story is told by the prince himself.
The 100 imagines a future where humanity's overcome some of its most pervasive forms of prejudice—only to create new ones.