
Åsa-Nisse's brother Julius returns home from USA, apparently very rich. Also, Åsa-Nisse och Klabbarparen takes care of a little child which leads to all sorts of complications.
A film for the post-MeToo era that inverts the narrative with an ironic coda, Tár depicts the duality of a sensitive artist capable of great evil and vile manipulation.
This is ambitious horror filmmaking, and in a lot of ways, I fully admire its ambitions. For me, the film’s sloppiness defines its overall quality.
A commentary on the exploitation of the elderly fueld by the inherent greed of capitalism.
You've heard the phrase “If looks could kill,” but have you heard “If dancing could kill?” Pretty Lethal takes that idea and runs with it.
Slip on your favorite dungarees and spend the day on the east coast of New Zealand before the 90s.