
It’s the 2012 London Olympics, and the whole world is going crazy for the most famous athlete in the world: Usain Bolt. Everyone apart from Alvin, an awkward 14-year-old who hates running and constantly disappoints his Jamaican father, Lester, a former sprinter who can’t understand why his son is “so soft.” So, when Alvin is unexpectedly nominated to represent his class in the upcoming school sports day, it could be his last chance to make his dad proud and prove that he can be just like Bolt.
A film about family and sacrifice... and carnivorous locusts coming after you.
If I had truly wished to witness "Guardians of the Galaxy", I would have stayed home to do so. Instead, I went to the IMAX and took in this newest incarnation of one of the most recognized and adapted superheroes in the DC Universe. **Sigh** Let me be clear here. I am NOT saying this is an AWFUL film.
Perhaps the most amazing and groundbreaking quality about The Birdcage is how removed it is from both illness and insensitivity. Whereas films preceding it were often somber stories about the tribulations of being gay in a conservatively straight world, Nichols and screenwriter Elaine May expose the fallacies of conservatism as traditional values are thrown into a more open-minded space. They don’t care how far the community has fallen so much as how high they can rebuild themselves.
The Conjuring: The Last Rites delivers a thrilling mix of scares and heart. From the axe-wielding ghost to the Warrens’ emotional farewell, Patrick Wilson and Vera Farmiga shine. Fans get a chilling, atmospheric conclusion that’s worth watching in theaters.
It doesn’t offer an absolute answer for the dialectical ethical questions that emerged in search of justice but portrays the characters as living people beyond the identities of victims.