'How Power Looks' — MiamisFF Review
Praising Black representation and condemning the power structures that suppress it, a mother delivers an impassioned speech to her distant son.

A documentary profile on Rumi Missabu, the iconoclast cofounder of San Francisco's infamous Cockettes. Through archive footage, animation and new interviews with stars from SF's queer art past, his lurid tales in and out of the spotlight are revealed as he reinvents himself at the end of his life.
Praising Black representation and condemning the power structures that suppress it, a mother delivers an impassioned speech to her distant son.
Ruben Östlund muses about his characters, “As soon as you get close to a person, you see them as just another human being”. It is widely recognized that aboard the luxury yacht in ‘Triangle of Sadness’, the different groups of people represent a small society as a commentary on classism and gender binaries.
Coverage from the Austin Film Festival, highlighting some panels and films that emphasized the importance of diverse and inclusive storytelling.
Crossroads follows a young guitarist on a journey through the American South in search of blues history and his own voice.
Even now, the well-established Snyder has yet to learn this as he continues to allow misguided decisions to convince him that his projects hold the same kind of intelligent and emotional weight. Army of the Dead is a tonal mess, one that never decides what it’s trying to be, and, for all we know, doesn’t want to decide.
Season 1 of Love, Victor ended on a major cliffhanger: Victor came out to his parents. He said the words “I’m gay” for the first time. Now what? Season 2 answers the question: “What happens after coming out?”