Incluvie Classics: Strong Women and Gender Expression in Alfred Hitchcock's “Psycho.”
Alfred Hitchcock’s 1960 film "Pyscho" is an American film classic that still resonates today.

After decades of work on Beethoven’s original scores, the Austrian pianist Rudolf Buchbinder offers a definitive interpretation of all of Beethoven’s piano concertos in this series of live recordings of his ecstatically acclaimed performances in the Musikverein in Vienna. Buchbinder conducts the Vienna Philharmonic from the piano and achieves a rare degree of tension and chamber-like concentration. “There is no one else who plays Beethoven with such classical perfection and at such a high level.” Der Kurier, Vienna
Alfred Hitchcock’s 1960 film "Pyscho" is an American film classic that still resonates today.
These confines won’t really encourage you to read the film as a metaphor for the nerve-inducing experience we’ve all been through over the last year, however — and in the interest of maintaining your dignity, you probably shouldn’t. While the sociopolitical commentary may have worked for the similarly-themed Buried (2010), in which we find Ryan Reynolds on his own buried alive in the Middle East, but this futuristic take on the premise is best left as a piece of distracting entertainment. Nevertheless, the atmosphere is no less suffocating, literally and dramatically.
The Last Son of Krypton returns as the kind-hearted, blue-eyed boy scout we all know and love.
The second entry of the Five Nights at Freddy’s series released recently, garnering very divisive reviews amongst both fans and critics.
Neon Gravity is an assassin who realizes that her target, as well as her current reality, are not what they seem. This short film is a futuristic story that takes place in Downtown Miami.
Honey Don't! is a chaotic queer noir that's part detective story, part midnight movie madness. Margaret Qualley is fantastic as the wise-cracking private eye Honey, with Aubrey Plaza and Chris Evans adding their own dry humor to the mix. The mystery itself is pretty loose, but the film makes up for it with crackling sexual tension, weird side characters, and razor-sharp dialogue. It's messy and uneven, but in the best possible way.