The Blues, and Two Contradictory Films That Claim It
Crossroads follows a young guitarist on a journey through the American South in search of blues history and his own voice.

In the worst crisis of his life, widower Franz Schuster finds out he has cancer and definitively gives up. Neither is his daughter able to get through to him. In hospital, he gets to know retired doctor Peter Arndt, who tries to show him the right way. At the lowest point of his life, Schuster gets to know and love Erika Frecher. Together they attempt to master their lives, and it is not the length of time, but the manner in which they will live, which opens up their avenue of hope.
Crossroads follows a young guitarist on a journey through the American South in search of blues history and his own voice.
'Kobra Auto Retrato' chronicles the inspiring journey of Kobra, a world-renowned Brazilian muralist and street artist.
When you first hear that there is a series on Netflix where the lead character’s wife dies from cancer and he becomes dangerously suicidal, you wouldn’t immediately assume that it’s a comedy.
When it comes the horror genre, I am VERY hard to please or impress, much less scare. Coming from a current mindset of appreciation for chilling, unsettling, tension-inducing efforts such as "Hereditary", "The Conjuring" (ONLY the first one to date, mind you), "Lights Out", "The Babadook", "Midsommar", "Talk To Me", "Oddity", "Bring Her Back", and the like
Bad Apples is a masterful pitch-black satirical thriller.
Spoiler Warning