Beautiful "Materialists" Can't Quite Find Its Footing
It is a truth universally acknowledged that a single woman will be happiest if she marries a man with a good fortune, similar upbringing, matching attractiveness levels, and compatible politics.

Rose is in her early forties and a single mother of three – supposedly – adult sons: Bernd, 23, earns money for the family during the day at a copy shop and in the evenings at a pub; Axi, 21, is training at a bank; and the youngest, Stan, who will soon turn 18, is skipping high school and would rather smoke weed and pursue a career as a DJ. Rose led a wild life as a squatter in the early 1980s, but that came to an abrupt end when she separated from Jürgen, the father of her three boys, more than ten years ago. They have had no contact since then. Rose moved into her grandfather's house with her three sons and now earns a living writing pulp fiction. And then there's her new boyfriend, Gerhard. She doesn't dare introduce him to her sons and doesn't know herself whether he's the right one.
It is a truth universally acknowledged that a single woman will be happiest if she marries a man with a good fortune, similar upbringing, matching attractiveness levels, and compatible politics.
In Spike Lee’s She’s Gotta Have It (1986), we follow the love life of powerful female protagonist Nola Darling (Tracy Camilla Johns) and explore the relationship dynamics she has with her partners. She sees three men simultaneously: Greer Childs, (John Canada Terrell) Mars Blackmon (Spike Lee), and Jamie Overstreet (Tommy Redmond Hicks). Though an 80’s film, She’s Gotta Have It is surprisingly progressive with its themes of female sexuality, although at some points in the film it is handled clumsily. Overall Nola is an incredibly compelling character especially for modern women, as we as a society acknowledge female sensuality more and more without the negative stigma.
Ever since the mid-’90s, the Mortal Kombat game franchise has seen multiple attempts to make it on the big screen, or at least adapted into other media.
On March 31st, International Trans Day of Visibility, the trailer for Zola finally dropped with a brief cameo from a queer icon.
How closely should film adaptations follow their source material? Let's take a deep dive into "Norma Rae", and find out.