Step into the ring with one of America's greatest legends...and stand a couple of rounds with greatness! "Pulling no punches" (LA Daily News), Jon Favreau (Swingers) and OscarÂ(r) winner* George C. Scott give TKO performances in this outstanding biography of the only undefeated world heavyweight champion in the history of boxing! In the small blue-collar town of Brockton, Massachusetts, young Rocky Marciano (Favreau) turns to the ring as his ticket out. Training twice as hard and twice as long as anyone else, he pounds his way to victory and his reputation quickly spreads as "the guy to beat." But behind the gloves Rocky is unhappy with his gift and he's thinking of retiring. So, with the fate of his career hanging in the balance, he finds a way to unleash his thunder againthis time against his biggest hero: Joe Louis!
Charles Winkler
Director
Jon Favreau
Rocky Marciano
Penelope Ann Miller
Barbara Cousins
Judd Hirsch
Al Weill
Tony Lo Bianco
Frankie Carbo
Duane Davis
Joe Louis
Rino Romano
Allie Colombo
George C. Scott
Pierino Marchegiano
Rhoda Gemignani
Pasquelina Marchegiano
Aron Tager
Charley Goldman
Noah Dalton Danby
Carmine Vingo
Gil Filar
Young Rocky
Stranger Things season 4 ups the ante to the max! The show’s scope has been expanding for the past three seasons, and boy do they give us a spectacle to behold. As much as I love spectacle, this season occasionally buckles under the weight of its own ambition.
Throughout Brendan Fraser’s career, he has played a plethora of unique, layered characters who explore the importance of not being afraid to display your emotions, something that is often seen to not be a masculine trait. This idea of regulating emotion and what traits men are able to possess creates a toxic atmosphere for men who are often told they should not cry or represent their emotions in any physical way. These characters represent that men can be joyful, emotionally conscious, and sensitive, while also representing their masculine identity instead of painting those qualities as fighting against their masculinity.
The cultural insensitivity of 'Slumberland' is discreet, and can be easily overlooked in CGI extravaganza.
'Brother' is a gripping family drama with dazzling performances all around.
'Do Revenge' offers a 2022-relevant sociopolitical commentary that decries virtue signaling while promoting the inclusive virtues the nefarious power structures exploit.
Ever heard of the bad boy type? The type of man who's sexy yet broody, or the type of man who’s dangerous but has a sensitive side? It’s a well-known stereotype that women are attracted to villains. The question is: why are we?