Rudger, ex-boyfriend of Jan's girlfriend Milene and biological father of their son, turns up at the practice of alternative practitioner Jan. He spent ten years in prison. Now he wants his wife and child back. It's clear to Jan that the man can't be helped with homeopathic doses. Heavy artillery must be brought to bear. Steve, a former colleague who has gone off the rails, promises to help. The operation goes wrong, Rudger rages and Jan flees to one of his patients. The terminally ill Dorothee has retreated to a mill - and has nothing to lose...
It's not love. It's Obsession. The hook of this movie is the tension between wanting to be loved and the fear of being all-encompassed by that love. It plays on men’s typical (though certainly not universal) inner-conflict
Even with its straightforward premise, “Richard Jewell” is ramped up by exceptional drama. In all honesty, the performances are out of this world. As Jewell, Paul Walter Hauser becomes a walking representation of gullibility. His bumbling antics create the perfect hero, and very quickly, we feel the societal heat that surrounds our protagonists.
By having two of its most beloved characters go to space in a Pontiac Fiero attached to a rocket, among other antics, F9: The Fast Saga overwhelmingly achieves the task of out-crazy-ing its predecessors.
Evan Goldman, a child of divorced parents, is planning a memorable bar mitzvah for his 13th birthday. However, middle school has a few obstacles along the way.
Mark Anthony Green was unable to connect all of the pieces in his debut feature film, leaving Opus as a middling entry in an already oversaturated genre.
For anyone who is not a cis white woman, a justice-fueled murderous rampage is not framed as liberation. Instead, they contribute to harsh stereotypes that vilify minority women with dangerous consequences.
