Rejecting “The Prom”-posal
Despite everything it was capable of, all of these poor choices strung together amount to nothing more than a counter-productive film.

A young widower named Sam Crockett returns from Kansas City to his small hometown in rural Texas, bringing with him his feisty grandfather and two young sons, Steve and Yoyo. He tries to make a go of the old family homestead but faces financial problems and pressures from his well-to-do neighbor, Rod Marshall. He also begins an on-again-off-again romance with Rod's sister-in-law, even though she's engaged to wed the town's doctor. Events come to head when Sam's grandfather suffers a stroke.
Despite everything it was capable of, all of these poor choices strung together amount to nothing more than a counter-productive film.
Richard speaks with Dia Frampton about some of her experiences with acting and music.
A bumpy journey about revolution and family makes us feel fear, disgust, humor, and satisfaction.
The sequel following The Son of Bigfoot explores Adam's conflict of discovering his true identity as he tries to save a wildlife preserve.
The plot could’ve really been interesting if the elements of lycanthropy was integrated with perhaps the struggle of identity of being LGBTQ+. It's an experience for so many that as they’re starting to realizing their true selves, they feel like a monster, especially if they come from unsupportive homes or communities. Instead, the horror and transformation elements seem thrown in without contemplation of how this could deepen the narrative.
La Bola Negra is an achievement worth praising and worth seeing.