Married to Karl Ammer, the station master of Thaya, a Hungarian quiet village, Anita is a pretty young peasant who feels deeply bored. She dreams of another life while watching the daily express trains to Budapest. An incident will force her to leave her province: she has to go to Budapest to attend the funeral of an aunt and receive a share of the inheritance. After completing the formalities, Anita misses the train to go back home and then she finds herself alone in the capital.
Henri Decoin
Director
Danielle Darrieux
Anita Ammer
Pierre Dux
Karl Ammer
Jacques Dumesnil
Dick Farmer aka 'Keith'
Pierre Mingand
Osten
Raymond Cordy
Pali
Samson Fainsilber
L'inspecteur Veber
Marcel Delaître
Le commissaire
Thérèse Dorny
The fashion house director
Louis Florencie
Léonce Corne
A friend of Osten
André Numès
The notary
The history of Hollywood is as ugly as it is beautiful. Most notably absent from Hollywood history are Black-produced films. “They’ve Gotta Have Us” explores the rise of Black cinema.
Black Panther was obviously an epic movie and big hit! It was the highest-earning superhero movie of all time in the US! It's pretty clear that Black Panther has more meaning for race and diversity than your average Marvel superhero movie. This movie means a lot in terms of black pride and representation - and has much cultural significance in America as a whole.
Netflix's new thriller Apex, starring Charlize Theron, puts a twist on survival horror. Despite its setting in the beautiful- yet-dangerous Australian wilderness, Apex is not a movie about man vs. nature. Instead, it’s woman vs. man. While checking out the title card and its unpretentious Netflix release might lead viewers to believe Apex is just another celebrity project churned out of the streaming machine, Apex - whether by luck or by intention - is a consistently harrowing film about the reality of being a woman in a public space.
A collection of the ten best films that captured William Shakespeare’s pathos the best, both for the diversity they bring, and of course “the aesthetic."
Spiral could easily spawn new sequels and will most likely churn a decent profit. Is it a good Saw film? Absolutely. Could it have been revolutionary though? Also yes.
Yes, "Nope" is definitely about the modern obsession with turning tragedy and horror into a spectacle for people’s enjoyment. But it's also about the power of looking, who has the right to look, and what happens to those who are looked upon.