"Ma Rainey’s Black Bottom": A Lesson in Blues
With raw and unapologetic performances by Viola Davis and Chadwick Boseman, stories about the hardships of Black musicians are weaved in with The Blues.

Until the day in 1978 when he was accused by a weekly newspaper of being the main organizer of the Vel'd'Hiv' roundup, everyone seemed to have forgotten that in 1942, René Bousquet was head of the French police. But then the past caught up with this former high-ranking civil servant, brilliantly reconverted into high finance. The next fifteen years will be devoted to answering the accusations. To organize his defense, he knows he can count on the support of his family and a network of political contacts. Gradually, the ambiguity of the compromises and "arrangements" made by almost all the political forces at the Liberation, in the name of national reconciliation, becomes apparent.
With raw and unapologetic performances by Viola Davis and Chadwick Boseman, stories about the hardships of Black musicians are weaved in with The Blues.
The human experience is described through the eyes of a marginalized outsider, neither judgmental nor invested, just an observant donkey.
Our protagonists perform as the opposite gender while still preserving the parts of their personalities that makes themselves who they are.
One of the reasons I love watching movies is that, much like books, they serve as windows into other times and different places. Productions from around the world offer valuable insights into the history and culture of their respective countries. And just like literature, cinema can help us understand the present by showing us the past.
I hope that more people will see Joyland, understand the situation, and eventually change themselves and society so we can have a more accommodating world where everyday tragedies like the one depicted in the film do not occur.
Birds of Prey has some of the best stunt work and choreography of 2020, and was the most fun I’d had in an action film since John Wick 3.