Writing Great Villains: Why They Shouldn't Be Sympathetic
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.

A NYC artist is witness to his best friend's murder - or was he? Due to a drug problem, he can't recall what happened. Now he is the prime suspect and desperately tries to remember before it's too late.
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.
The Outer Senshi get characterization and some stellar moments in the second part of the Eternal movie duo.
Halle's belting, crystal clear notes, and warm tone infused something into this blockbuster that I thoroughly enjoy.
The film is trying to revive DC's former glory, it really is, it just doesn't have everything it needs to get there. Luckily, Black Adam isn't as bad as many internet haters want you to think it is.
In The Women and the Murderer, directors Mona Achache and Patricia Tourancheau center women—the very demographic true crime is designed to appeal to.