The film is an autobiography of the Moroccan visual artist Benhaila Regrakia. Regrakia grows up in a conservative family that clings to its traditions, which are based on valuing the man and granting him absolute authority within the family. She finds herself trapped between self-affirmation, which is considered a departure from the norm within her family, and between traditions and social reality. Cruel.
Ultra-violent storytelling has never been my thing, but the issues with Scarface go beyond that. The film perpetuates harmful stereotypes about Latinx immigrants and uses gore and misogyny for shock value that never serves any purpose. The whole venture is frustratingly empty, and left me desiring something more.
A pop star at Radio City Music Hall gets the opportunity to change herself to save her music career.
KIMI is the main character of this film and as much as I wish it was Angela Childs played by Zoe Kravitz, it isn't. KIMI is a smart device that works not unlike Amazon's Alexa and Google's Nest assisting in anything from home purchases to music playing all under the guise of only activating when in use.
I hate the idea that animation’s for kids; just because it’s animated doesn’t mean that it’s some silly cartoon and shouldn’t be taken seriously.
“To be universal, you have to get specific”: while the film does not attempt to provoke discussions about queerness or race, those watching closely may find something resonant in Sorrentino’s love letter to the Naples of his youth.
The story of the singer's career in her Sweetener World Tour is told in this featured documentary film.
