Armando is 10 years old, he's a little boy like everyone else, he lives in a village with his mother Amelia, a charming woman who has always been very attentive to his son. There is also Arturo with them, Amelia's husband after the passing of Armando's father. Unfortunately Arturo reinvests all the few money, left by the poor man, to go drinking, and when he comes back home he's always drunk and he beats and abuses the poor Amelia. They both think that Armando doesn't know anything, but he can't manage to close his eyes every night, until his mother stops screaming and groaning. On Armando's birthday his mother gives him a seal box left by his father, who made a particular request, when he was still alive: she had to give it to Armando on his tenth birthday. This is a gift that will change their lives forever.
Make no mistake about it, Gilligan has created a continuation that earns its place in the annals of Breaking Bad lore. El Camino isn't a forced entry in an otherwise brilliant world of fiction. This is a satisfying take, which manages to give closure to an iconic character of fiction.
A thief and street dog named Roger has to work with other pets to take down the evil Mayor Frank Stone when he plans to destroy Robo City.
Self expression among teenagers is explored in the live adaptation of Jerry Spinelli's novel of the same name.
Middle school best friends reunite in middle age - Magalie is a chaotic free spirit “freeloader”, Blandine is a divorcée “sourpuss” with severe depression. The Palm Beach Film Festival opening night was glamorous for “Two Tickets to Greece”, the first screening of the French film in the United States.
The documentary depicts the indigenous people of Mexico with sublime reverence, highlighting a generational harmony with the land.
