Trevor: The Musical About Finding One's Identity
This coming-of-age musical features a strong representation of LGBTQ+ individuals coming-of-age.

A young Japanese actress remembers her war childhood in Korea. Her father goes to fight, her baby sister Miko dies of typhoid, her beloved Korean maid Ohana is fired due to a mistake which could cost Chiko her life... By and by Chiko realizes that the country is being ruled by the Japanese and the Koreans are persecuted. When the war ends, the Koreans chase the Japanese rule and the roles change. Now Chiko's family is unwanted. But then the Russians come and this is the end. They have to burn all the pictures to avoid all suspicions... even Miko's picture. But when the Russians come to their house, they decide to flee over the 38th Parallel towards freedom. A group of men, women, children struggles along the mountains, led by the light of the Northern Star. Along the way they meet a Korean man, who is willing to help them to escape the Russian soldiers although his family was killed by the Japanese.
This coming-of-age musical features a strong representation of LGBTQ+ individuals coming-of-age.
I am an Armenian who has a mild form of epilepsy. I rarely see Armenian culture and epilepsy properly portrayed in film or TV. I delve into the how and why.
After We Collided is a sequel to last year’s After, which itself was based on Anna Todd’s 2014 novel of the same name, and which was originally published as a Harry Styles-centric fan-fiction on WattPad (a similar path as E.L. James’ Fifty Shades of Grey series).
Netflix’s new mystery thriller, The Marked Woman (released originally as La Desconocida), is confusing. More critically, though, it commits the worst mistake a movie can make: it’s boring. From Spanish director Gabe Ibáñez, the film squanders its premise at every turn, fills the story with unlikeable characters, and lacks emotional payoff.
A short film that begins with the language of romance but slowly reveals something far more unsettling beneath the surface.