“Subject to IX” Movie Review: Discussing the Hard Truth About How Colleges Handle Title IX Cases.
Joann Kohng’s Subject to IX tells the heartbreaking truth of the Title IX rules that colleges abide by.

A series of first-person portraits of seven quilt makers, including a Mennonite, a Bulgarian immigrant, an African-American, and two midwestern sisters. They provide insights into the inspiration for their work and reveal their passion and love for an art form that reflects their values and philosophy of life.
Joann Kohng’s Subject to IX tells the heartbreaking truth of the Title IX rules that colleges abide by.
Even with its straightforward premise, “Richard Jewell” is ramped up by exceptional drama. In all honesty, the performances are out of this world. As Jewell, Paul Walter Hauser becomes a walking representation of gullibility. His bumbling antics create the perfect hero, and very quickly, we feel the societal heat that surrounds our protagonists.
Clearly, in the end, Allison raised a responsible child because she knew that her "friend" was doing something that made her uncomfortable and turned away from her. No worries, Super mom was already one step ahead of her.
Dead Poets Society relies on patriarchal tropes such as overbearing fathers, contrived brotherhood, and faux-individuality in order to portray its straight white male characters as oppressed.
In the film adaptation, director Jon M. Chu turns each musical number into a massive show stopper, with grand set pieces and a wealth of diverse dancers. Yet, in this attempt to show reverence for the people of the Washington Heights barrio, Chu, or maybe more specifically those in charge of casting, left out a crucial part of the community, Afro-Latinos.