A Killer's Hold on a City in 'Boston Strangler'
"Boston Strangler" pulls the curtain back on a well-documented historical moment involving significant contributions from women reporters.

The story follows Qaseh, a single mother who has a teenage daughter named Leyla. Qaseh teaches the neighborhood children to recite the Quran, but finds it difficult to guide Leyla, who has become increasingly rebellious since befriending Zek. Feeling cornered, Leyla runs away from home. Qaseh continuously tries to persuade Leyla to return, with help from her friend's son named Shafiq. Leyla remains stubborn, and Qaseh meets Ustaz Syed Alwi, an old friend who invites her to teach at his Quranic memorization school. Leyla becomes remorseful, guilty and moved after finding out that her mother donated a kidney for her after she was involved in an accident.
"Boston Strangler" pulls the curtain back on a well-documented historical moment involving significant contributions from women reporters.
A young girl named Hailey Mays sings a country song that is named after the film's title.
Tarantino's alternative history of the 1960's uncritically repeats the era's sexist and racist stereotypes.
Him is visually stunning—all concrete cathedrals and bone-rattling impact shots that look like a nightmare highlight reel. Marlon Wayans is magnetic as this legendary quarterback who's basically selling salvation with a smile that never quite reaches his eyes. But the story keeps running in circles: more tests, more cryptic pep talks, more ritualistic drills. The sports-as-religion metaphor beats you over the head when subtlety would've been more effective. The middle drags, and that finale chooses spectacle over substance. It's undeniably stylish, but left me cold. Also worth noting: despite the Monkeypaw connection, this isn't actually a Jordan Peele film—he didn't write or direct.
In this high-flying mission, the pups gear up with jets to stop the Duke of Flappington and save Barkingburg.
Dashing in December follows the tried and true outline of a traditional holiday romance, with a less traditional middle-aged gay couple as the film's romantic focus.