Sofia Coppola’s ‘On the Rocks’
The film does not add anything to its own conversation or genre, and falls flat once it’s about to end and must declare some sort of conclusion.

A tale about two friends embarking on a mysterious journey guided by a wizard.
The film does not add anything to its own conversation or genre, and falls flat once it’s about to end and must declare some sort of conclusion.
"The Platform" is horror and science fiction film doubling as a visual commentary on capitalism and economic inequality. The movie is not for the faint of heart nor the viewer hoping for political neutrality in their film's depth.
The thing is, people like Wahlberg will only apologize if they have something to lose, which he did. His glamorous life, his reputation, and his career were all at stake.
How powerful can a story be when it is stripped to the bare essentials of just a room, a handful of people and raw human voice?
This showcase of Hollywood’s finest talent will certainly be around come awards season, and much deserved
The Bluff unravels its mystery slowly, opening on the capture of a ship captain named Bodden (Ismael Cruz Córdova) and the swift execution of his entire crew. Then, viewers are treated to a tranquil British settlement in the Cayman Islands in the 1850s, where a mother bakes a coconut birthday cake for her son in a house suspiciously rigged with makeshift tripwires and burglar alarms. As it turns out, that mother is Priyanka Chopra’s quick witted and resourceful ex-pirate Mrs. Ercell Bodden, and her husband’s captors are on the way to the island to hunt her down for abandoning them and stealing their loot. The pirates of the Libertas land on the beaches of Cayman Brac, and the scenes that follow show a Viking-esque slaughter of half the island.