An independent slasher film from the twisted mind of R.J. De León Vega. On Halloween Night 2003, a young girl trick-or-treats at the house of an infamous serial killer.
A refreshing twist is that all the kids’ powers are…kind of useless. There’s a kid who can only move in slow motion, a kid who has every power in the world but can only use them randomly, and our main character Missy who has no powers at all. The thesis of the film seems to be that it doesn’t matter what kind of powers you have, its the way you use them, which is good for the warm and fuzzies.
The Incluvie predictions for various categories in the upcoming 2022 Academy Awards nominees. Best Picture, Actor in a Leading Role, Actress in a Leading Role, Animated Feature Film, Directing, Documentary.
The makings of a great midseason filler episode that would connect in many different directions. This is a police drama filler with a guest director.
It’s the most loving tribute to cinema and to Ingmar Bergman, set in world that feels so habitable that I felt like only re-watching this for eternity, because of how inviting it looks and feels.
A quiet film that does not demand your tears but earns them. It explores love that lingers, timing that fails, and the silence between what was and what could have been.
Netflix's Afterlife of the Party might fall into the rom-com genre, but it's much more about grief, strong female friendships, and platonic love than it is about romance.
