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Set in a future dystopian United States in which water is running out, Julia Hart’s Fast Color (2018) is a refreshingly different take on the superhero film.

For the most part, 'Sweet Girl' recycles tired hyper masculine revenge tropes, but a surprise twist in the end turns it into a female-centric revenge film.

The genres of science fiction and fantasy are not exclusively masculine territory. Over the last few decades, female directors have brought to the screen some of the most visually stunning, intellectually daring, and deeply moving works of speculative fiction. From big Hollywood productions like Wonder Woman and Captain Marvel to independent low-budget films, women filmmakers are making a name for themselves around the world.

Disney has a glaring and, up until recently, unaddressed issue that spans nearly its entire lifetime - an absence of diversity.

The Super Mario Galaxy Movie comes on the heels of its billion-dollar grossing predecessor, and seeks to do absolutely nothing other than repeat its success. In this, the film is eminently effective. If you have seen the previous film, you can expect something extremely similar in this package.  That is, a barrage of references to Nintendo intellectual property wrapped in a plot that provides the thinnest layer of emotional payoff for the characters.