The Blues, and Two Contradictory Films That Claim It
Crossroads follows a young guitarist on a journey through the American South in search of blues history and his own voice.

Polish province. 20-year-old Stan quits his job at a car repair shop. He joins his friends, Gobi, Meta and the pack leader Anka, who live by mugging people and robbing stores. One evening Joanna, who is returning home late, falls victim to the gang. Under pressure from the group, Stan, wanting to prove that he is as tough as the rest, rapes the girl. Shortly after the incident, the boy breaks his leg and is taken to the hospital. In one of the nurses he recognizes his victim. However, the girl does not know who he is. A sense of guilt grows in the boy.
Crossroads follows a young guitarist on a journey through the American South in search of blues history and his own voice.
Hitchcock is no stranger to innuendo, as was common in that era, but there was something so sophisticated about his approach to 'Rope', and it starts in the first frame.
In Tall Girl, Jodi learns to stand tall and find confidence within.
Carolina Caroline follows Caroline (Samara Weaving), a bored young woman dreaming of escaping a small Texas town where nothing ever happens. When she meets Oliver (Kyle Gallner) at her workplace while he is conning the owner, she sees her perfect opportunity to get out. Their whirlwind romance strongly echoes Bonnie and Clyde, as the two quickly embark on a bank-robbing spree.
Diversity is incorporated in a way that only aids in a well-rounded conveying of stories through different lenses. The show’s success is a testament to what audiences are craving: authentic stories that broaden the mind and heart.
Alfred Hitchcock’s 1960 film "Pyscho" is an American film classic that still resonates today.