The Drama: A Marriage of Discomfort and Empathy
This is not a film, it’s a drop tower. A drop tower that you don’t get off of for the vast majority of its 106-minute runtime.

Pretty boys get to skate through life with a free pass, it seems. And in large part, it’s true, unless they wind up in the Boys Halfway House. Here, these young men discover the true meaning of accountability. Worse yet, if they’ve got a nice young bod and a pretty smile they are even more likely to get in “trouble.” After all, the House Managers actually get to enjoy their jobs if they are meting out punishment to such sexy guys. This compilation of incidents highlights the prettiest of pretty boys getting banged out, just for your viewing pleasure.
This is not a film, it’s a drop tower. A drop tower that you don’t get off of for the vast majority of its 106-minute runtime.
The characters aren’t likable, the story is predictable and the humor is either disgusting, obnoxious, or uncomfortable. The Wrong Missy is a mess of a film and it’s not really worth your time.
It doesn’t offer an absolute answer for the dialectical ethical questions that emerged in search of justice but portrays the characters as living people beyond the identities of victims.
We, the Jane Austen aficionados, are suckers for everything and anything under the sun that’s remotely related to her and her world. That’s because we are so drawn to her unique style of fiction, romance, and social commentary, we take any allusion to her influence as a hint to what to expect when we start watching a movie or reading a book.
For a young girl who wishes to keep her current traditions, this holiday will end up with a surprise twist.