The Last of Us is Flipping the Script For Game Adaptations
An apocalyptic tale captivates the nation as it teaches us to love even in the hardest situations.

Polly, a 20-year-old released from juvenile detention, wants to lead an honest life away from her petty criminal family. She takes a job at a fast food restaurant and falls in love with Stefan, a police officer. Meanwhile, Ronny, Polly's sister's new boyfriend, persuades her parents to rob a liquor store to get the start-up capital they need to get into the aluminium prefabricated house business. Polly is also expected to help with this, and on top of that, she has to fend off Ronny's advances.
An apocalyptic tale captivates the nation as it teaches us to love even in the hardest situations.
There’s no two ways about it — Bridgerton is horny. Shondaland’s newest venture- released on Netflix on Christmas- is certainly a spectacle to behold, just as the premise; essentially an Austenian, Regency-Era Gossip Girl, helmed by Shonda Rhimes, the reigning queen of steamy romance television. It would not be inaccurate to describe it as Jane Austen porn.
The newest Pedro Almodóvar movie, Pain and Glory, focuses on an aging and debilitated filmmaker, Salvador Mallo (played by Antonio Banderas) reflecting on his life in his old age.
This holiday movie serves as the prequel to the TV series The Really Loud House.
The roaring emotional ride that was the season four finale sets June on a new path: more of a Survivor's Journey.
This is ambitious horror filmmaking, and in a lot of ways, I fully admire its ambitions. For me, the film’s sloppiness defines its overall quality.