'Let It Snow': An Ironic Title to this Teen Comedy
One Christmas Eve, after a sudden snowstorm, a group of teenagers will discover how their lives will change forever.

The film starts in the Dutch Colonial Era of Indonesia, where we are informed of Raden Soekotjo's feelings toward Nyi Soroh. As the film opens, Raden is going to Nyi's house to tell her of his feelings for her. She however, has already fallen in love and married a Dutch sea captain named Von Klingen. Angered by that prospect, Raden killed Nyi, which awakened her family's Kuntilanak spirit guardian. Heading after Von Klingen next, Raden became when he found out that the Kuntilanak was after him. He tries to escape, but the Kuntilanak kills him. Before death however, Raden tells one of his relatives not to undo the rope around his pocong shroud, which would allow him to turn into a Pocong spirit.
One Christmas Eve, after a sudden snowstorm, a group of teenagers will discover how their lives will change forever.
Steven Soderbergh’s Contagion is a fan-favorite, as are some of the more science fiction angled movies like 28 Days Later or World War Z. I recently watched the 1995 Wolfgang Peterson-directed movie, Outbreak for the first time, which is currently available on Netflix.
'Yes, God, Yes (2019)' is a coming-of-age tale about a Christian teenage girl discovering her sexuality, the turbulence that comes with it from within herself, and the judgment from those around her.
'The Last Black Man in San Francisco' is part fiction, part documentary. Jimmie longs for the old Victorian home that he grew up in — the house that his grandfather built. However, this home is now in an overpriced, White, San Francisco neighborhood.
The classic ghosts-in-revenge story expanded into an extensive dig into the historical social system while being funny and horny.
In all actuality, “Just Mercy” should be labeled a “wall punching narrative.” Constantly, the flick throws high forms of adversity our way, amping up our most inner levels of discomfort. Filmmaker Destin Daniel Cretton wonderfully paces the film in such a way that replicates the slow-burn nature of justice.