The 100: Highlighting Humanity’s Successes and Failures in Overcoming Hateful Rhetoric
The 100 imagines a future where humanity's overcome some of its most pervasive forms of prejudice—only to create new ones.

An experimental documentary engaging with decades of DIY activist media, two death bed/legacy videos, and the wisdom of many living AIDS workers, as we all sit together in one (changing) format, video—VHS, hi-8, digital, Zoom—to address these and other questions: How do neighborhoods, sweaters and scarves, videotapes and queer bars hold ghosts? How do we let them go?
The 100 imagines a future where humanity's overcome some of its most pervasive forms of prejudice—only to create new ones.
With 'The Last Movie Stars,' filmmaker and fanboy Ethan Hawke cracks the facade of Hollywood's last golden couple, but reveals a couple who were committed to each other before all else.
The French-born director Laure de Clermont-Tonnerre’s strategic choice to entrust the interpretation of a conventional, feminine character to a non-binary actor pays off: Corrin’s Lady Chatterley is awkward, edgy, and uninhibited at the same time.
In Paul Feig’s newest comedy, Last Christmas, Katarina (Emilia Clarke) didn’t give a heart, she got a heart, you see.
A brief look at two Barry Jenkins films that have established him as one of the greatest filmmakers of our time.
"His Girl Friday" set the bar for romcoms and gave us a feminist heroine before feminism was cool.