Over sixty million Indians belong to communities imprisoned by the British as "criminals by birth." The Chhara of Ahmedabad, in Western India, are one of 198 such "Criminal Tribes." Declaring that they are "born actors," not "born criminals," a group of Chhara youth have turned to street theater in their fight against police brutality, corruption, and the stigma of criminality — a stigma internalized by their own grandparents. "Please Don't Beat Me, Sir!" follows the lives of these young actors and their families as they take their struggle to the streets, hoping their plays will spark a revolution.
Overall, “Dark Fate” is a run-of-the-mill flick. Together, Reyes and Davis have excellent chemistry, but their characters’ story is nothing new, lacking surprise and deep emotion. During the middle points, the film drags considerably, and when the action hits, it feels consistently tight, eliminating the rhythm and fluidity of conflicts.
Ready or Not takes a terrifying situation and has a fun time with horror components. The film melds horror and comedy, creating a cinematic hybrid that flows like running water. Instead of being a film that embraces gut-wrenching sensibilities, it perfectly taps into the energetic nature of hide and seek.
This Christmas movie gives viewers a friendship that unexpectedly forms from a plane trip.
In the spirit of Halloween, here's a list of body horror films which can be interpreted as trans allegories.
The coming-of-age story that brings viewers into the world of Broadway, New York City, with musical talent and LGBTQ leads.
“Reboot” can be crass and has much room to improve, but with investments of time and care, could flower out of the seed of a vision.
