‘Fast Color’: A Strikingly Different Take on the Superhero Film - Movie Review
Set in a future dystopian United States in which water is running out, Julia Hart’s Fast Color (2018) is a refreshingly different take on the superhero film.

Although shot simultaneously with the first part, director Vít Olmer's sequel to the story of three businesswomen dealing in erotic services stands on its own. The film abandons a majority of the topics important to the original and focuses instead on a new plot and characters: the erotic club's new owner introduces an element of crime by blackmailing her customers.
Set in a future dystopian United States in which water is running out, Julia Hart’s Fast Color (2018) is a refreshingly different take on the superhero film.
Dora is the superhero we didn't know we needed.
I hadn’t heard of it either until recently—and yet, it’s one of the highest grossing movies of all time.
A consumed-by-rage woman travels from universe to universe to avenge the death of her daughter by brutally killing her murderer over and over again. And that's all that she does.
'My Policeman' simultaneously delighted and disappointed audiences at TIFF, but everyone can agree that the performances and truth of the story will convince audiences that this film is worth the watch.
White audiences saw Peola’s mixed-race passing as a Black woman’s struggle to be white. Black audiences saw it as the rebellion of a Black woman trying to gain privileges only given to white people.