"Mercy" is a Pro-AI Sci-Fi Thriller that Barely Makes Sense
Even without the messaging, Mercy does not hold up as a movie. It's sloppily done and the mystery doesn’t tie together at the end.

Ti-Frè and Gran-Frè, two brothers of Haitian origin living in a Dominican Republic shantytown, struggle daily to survive. On a full moon night, desperation pushes them to steal from a plantation, where a mysterious beast prowls in the shadows of the banana trees.
Even without the messaging, Mercy does not hold up as a movie. It's sloppily done and the mystery doesn’t tie together at the end.
This film was filled with great plot points. Unfortunately, they all contradicted each other and clashed. Had the premise of Awake been more consistent and accurately portrayed the real world aspect, I think this could have been an extreme success.
These confines won’t really encourage you to read the film as a metaphor for the nerve-inducing experience we’ve all been through over the last year, however — and in the interest of maintaining your dignity, you probably shouldn’t. While the sociopolitical commentary may have worked for the similarly-themed Buried (2010), in which we find Ryan Reynolds on his own buried alive in the Middle East, but this futuristic take on the premise is best left as a piece of distracting entertainment. Nevertheless, the atmosphere is no less suffocating, literally and dramatically.
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.
What makes the lighting in Casablanca even more impressive is how it reflects the emotional states of the characters without needing explicit dialogue.
The movie is centered around the title character who goes on a Christmas adventure.