PITY PARTY follows twenty-nine-year-old Liza, as she begins to experience an emotional breakdown. She has the perfect guy, the perfect home, the perfect body, and - friends. Liza's life is #blessed. Regan and Kennedy, Liza's childhood frenemies, annoyed by her incessant whining convince Liza that she should throw a "positivity party" for New Years. Out with the old, and in with the new. Besides, the mysterious virus breakout is only happening in China. What have they got to worry about?
(Disclaimer: Harmful Language) In celebration of Pride Month, Father's Day, and father figures (and whoever supports you), I revisit Moonlight's brief but spectacular character, Juan. With overarching themes tied to masculinity, I reexamine his intimacy with Little.
Netflix’s Shadow and Bone has a complicated relationship with race. It has a diverse cast, but not without its problems. Based on Leigh Bardugo’s two book series, the show features characters from the Shadow and Bone trilogy, which is very straight and white, and the Six of Crows duology, which is much more diverse. When bringing together a cast and writing about these characters, the team behind the show expanded upon some of the representation missing from the first trilogy, then seemed to take away representation from the duology. Shadow and Bone seems to play a bit of a push and pull game when it comes to portraying diversity onscreen.
White audiences saw Peola’s mixed-race passing as a Black woman’s struggle to be white. Black audiences saw it as the rebellion of a Black woman trying to gain privileges only given to white people.
This romance movie has strong representation of Taiwanese people.
Gotham City Sirens needs a female voice behind the camera. So, on the chance someone from DC films is reading this, here are ten female directors who would be good choices for Gotham City Sirens.
This movie will always resonate with queer people, for as long as queer people exist.
