The Blues, and Two Contradictory Films That Claim It
Crossroads follows a young guitarist on a journey through the American South in search of blues history and his own voice.

Chiara returns to the family farmhouse after many years, together with her friend Michela. An obscure incident had pushed her to leave, but now the old grudges finally seem to have been overcome. During the night Michela disappears. Chiara asks her family for help: "Who is Michela?", they reply. The girl had dinner with them, yet everyone says they have never seen her, Chiara is the only one who remembers her.
Crossroads follows a young guitarist on a journey through the American South in search of blues history and his own voice.
It’s been five months since Wayward premiered on Netflix and it still has some of us in a choke-hold.
What seems like such a simple story of survival is so much more than that—it’s a story of family, and of war, and of destruction. It’s painful to watch, but not in a bad way. It makes its audience reflect on their own actions, and in how they are complicit in the sufferings of others as the adults in this film are. Grave of the Fireflies does not hold back from being heartbreaking, and it shouldn’t. It tells a message that needs to be heard decades after the war, and a story that cannot be forgotten by history.
For football fans, this sports movie will show viewers the bonding between father and son as the son prepares for his big game.
“It's not ghosts. It's not supernatural. It's... It's America. And it's everywhere.”
The 100 imagines a future where humanity's overcome some of its most pervasive forms of prejudice—only to create new ones.