'Meshes of the Afternoon' Enters the Realm of Sci-Fi
Many have interpreted Maya Deren’s Meshes of the Afternoon as a dream sequence, but what if the repetitive scenes we are given are not dreams but, a time loop.

Phaidros is based on Plato's eponymous dialogue and plays in an LBQT+ milieu of a present-day metropolis. The actor Emil is meant to embody the character of the poet Phaedrus in a battle of words with Werner Maria, who slips into the role of Socrates. When the borders between friendship and sexual initiation soon blur beyond the events on stage, too, the shrill, carnivalesque scenario turns into grotesque love triangles and quadrangles, which ultimately even cause a casualty.
Many have interpreted Maya Deren’s Meshes of the Afternoon as a dream sequence, but what if the repetitive scenes we are given are not dreams but, a time loop.
One of THE most frustrating trends in the mainstream film industry over the last several decades has been the onset of comedy efforts that seem SO focused on being crude and/or gross-out in all ways possible. That, at least for me, makes them no longer funny.
Netflix's Afterlife of the Party might fall into the rom-com genre, but it's much more about grief, strong female friendships, and platonic love than it is about romance.
I have no idea how getting an abortion is still not a basic right at this point, but that means the fight is far from over. So, films like Happening are ever-relevant.
A short film that begins with the language of romance but slowly reveals something far more unsettling beneath the surface.
From its visually stunning opening credits, which show women dancing through a forest to musical rhythms that sound almost primal, to its quiet, heartbreaking final frame, Mona Fastvold’s historical rendering of the Shaker religious movement is an experience that will stay with me for a long time.