Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

Perjury poster

Perjury (1921)

Robert Moore is the general manager of the firm run by John Gibson. After Gibson makes several visits to Moore's home, unfounded rumors begin of a relationship between Gibson and Moore's wife, Martha. Moore is discovered with a revolver in his hand, standing over Gibson's dead body. In fact, Moore’s best friend committed the murder, but Moore is convicted of second-degree murder and sentenced to 20 years in prison. Impulsively Martha remarries to a man who proves to be a brute. When Moore is set free after the real murderer confesses, he visits his former wife just as her husband attacks her. In a struggle, Moore shoots him in self-defense and is then reunited with his family.
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


Robert Moore is the general manager of the firm run by John Gibson. After Gibson makes several visits to Moore's home, unfounded rumors begin of a relationship between Gibson and Moore's wife, Martha. Moore is discovered with a revolver in his hand, standing over Gibson's dead body. In fact, Moore’s best friend committed the murder, but Moore is convicted of second-degree murder and sentenced to 20 years in prison. Impulsively Martha remarries to a man who proves to be a brute. When Moore is set free after the real murderer confesses, he visits his former wife just as her husband attacks her. In a struggle, Moore shoots him in self-defense and is then reunited with his family.

Rating:
Genre:Drama
Directed By:Harry F. Millarde
Written By:Mary Murillo, Julius Steger
In Theaters:8/14/1921
Box Office:

Runtime:90 minutes
Studio:Fox Film Corporation

Articles You May Like


"The Father" is a Depressing But Insightful Look at Dementia

With The Father, writer-director Florian Zeller- who wrote and developed the play upon which the film is based- pulls no punches as he confidently makes every effort to put the audience in the mind of someone whose grip on reality has all but vanished. It’s a dazzling testament to Zeller’s abilities as a director as he makes his first transition from stage to film appear as if he’s been working behind a camera his entire career. The dialogue he fashions with co-writer Christopher Hampton, along with the work of production designers Peter Francis and Cathy Featherstone, collectively makes the downward spiral of dementia startlingly tangible, doing so in a way that can be comprehended by everyone except the person it directly affects.

Matt Geiger