Writing Great Villains: Why They Shouldn't Be Sympathetic
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.

A roller coaster of emotions and film genres ranging from dark comedy to drama and paranoia surrounding Vincent (main character) as he tries to salvage what's left of the worst week of his life by throwing himself a birthday party. After waiting till the last minute, Vincent starts calling all his so-called 'friends' to invite them to his big shin-dig. One by one his invitations are rejected and ignored. Then while desperately attempting to set up for the party he has to deal with more torture and chaos from strangers and acquaintances pushing him to the Breaking point. But when all his friends do show up to surprise him, they are the ones that end up being surprised
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.
In Stowaway, director Joe Penna narrates the story of a starship crew (Anna Kendrick as Zoe Levenson; Toni Collette as Marina Barnett; and Daniel Dae Kim as David Kim) struggling with serious technical problems on a two-year mission to Mars. During the trip, they discover aboard the presence of Michael (Shamier Anderson), a stowaway who jeopardizes everyone’s life on board.
An action-packed adrenaline rush with a diverse cast that delivers evocative storytelling.
Miley Cyrus makes a revival in this Disney+ documentary on her recent album Endless Summer Vacation.
The final installment in the rebooted X-Men franchise.
This is ambitious horror filmmaking, and in a lot of ways, I fully admire its ambitions. For me, the film’s sloppiness defines its overall quality.