
During a stay at a roadside inn, long-distance lorry driver Jean Viard meets a young woman Clothilde who works there. Their friendship soon develops into a passionate love affair, even though Jean is already married and is old enough to be Clothilde’s father. Things take a turn for the worse when Jean loses his job and his wife finds out about his affair. But Clothilde’s predicament is even more distressing...
At first glance, “The Good Liar” is a respectable piece of fiction, starring Ian McKellen and Helen Mirren. But underneath everything, the film expertly hones the unpredictability of deceit.
When you don’t factor in the plethora of inferior sequels that have been produced, Luca is one of Pixar’s simplest and most unassuming films in years — and there is absolutely nothing wrong with that. The film thrives on being a visual feast with a warm message for all ages, so much so that its unoriginal storyline doesn’t feel that big of a problem.
Eternals is an interesting concept and unique visuals, but slow pacing and rushed character development suggests it should have been a mini-series.
Ultimately the problem with The Bubble is that it plays everything for laughs to get around the audience’s defenses. But it comes off like a privileged white male thinking that ridiculing everyone else equally is the road to equality. And it’s not. And it's definitely not funny to pretend that it is.
Hitchcock is no stranger to innuendo, as was common in that era, but there was something so sophisticated about his approach to 'Rope', and it starts in the first frame.