When his peeping passions become compromised, Todd decides he’ll do whatever it takes to continue stalking his beloved Claire. An obsessive HOA fleet and a dense boyfriend are obstacles Todd must dance around if he wants to sing his way into Claire’s heart. As Claire gets wrapped up in the lies of her fiancé and the web of her stalker, she must escape the two most toxic relationships she’s ever faced.
Like all modern societal phenomenons, it started with a meme. This one highlighted that when there’s a mom in a Pixar film, she is almost without fail given striking curves that highlight the bottom half of her body following a minuscule waist. From Elastigirl to the skeletal Mama Imelda, the animation giant’s artists seem to have a fixation on making exaggeratedly curvy maternal characters.
America is the crux of the storyline: she is the only person in existence with the power to jump between universes. As central as America is to the Multiverse of Madness story, she somehow didn’t get that much to do.
This film is a splendid mix of mediums, but its strength lies in its simplicity and beautiful message of closeness.
The film does not add anything to its own conversation or genre, and falls flat once it’s about to end and must declare some sort of conclusion.
Intergenerational friendships and community can be so powerful, and this was a great example.
